The invitation by the organist Jakob Dietz to perform together with him and the baroque violinist Claudia Mende was the perfect opportunity to put the first rig for my in-ORGAN-ic project to the test.
After studying the inside of the organ I selected two microphone-positions on the same vertical axis. The lower mic (DPA 4060) was proximate to the organ action, the top mic (DPA 4060) in the middle of the central cluster of pipes.
Two envelope followers in the Eurorack setup were fed by these two signals…
…and two Koma Kommander infrared sensor boxes allowed Jakob to control the level of the regenerated signal and the frequency shifted derivate.
To be continued 🙂
This project is supported by a “Neustart Kultur” stipend of Musikfonds.